Worked with Disney, Netflix, Russo Brothers, Robert Downey Jr.
10+ years moving audiences from viewing products to buying them.
Trusted on set by




Ten years ago I left Philadelphia for Los Angeles to chase Hollywood. What I found on the way became the craft I bring to every brand I work with: pacing, tension, sound, and the psychology of what makes a person lean in.
I have shot and edited for Disney, Netflix, Marriott, Funko, Subway, Instacart, Roman, the Dodgers, Ducks, and the LA Rams. On set I have worked with A list talent from Robert Downey Jr. to Jake Paul, from the Russo Brothers to Jay Leno.
A lot of editors can make cool videos. Not many can move people to buy. That is the difference I bring.
Full service production, editing, and content strategy. Built around your story, your customer, and the outcome you actually need.
Concept to camera. Cinematic shooting built around your story, product, and audience.
Editing with a Hollywood eye. Pacing, sound, and color that hold attention and drive action.
Hooks and narratives grounded in psychology, tuned to move viewers from scroll to sale.
Organic content systems and paid ad frameworks that keep your pipeline warm.
A lot of editors make cool videos. Fabian makes videos that make our customers pull out their credit card.
Everything you need to know before we roll cameras, from process and timelines to deliverables and collaboration.
Brands and founders who want story-driven content that performs. From startups launching a product to established brands scaling paid ads and organic social.
Yes. I run full production, from concept and scripting through directing on set to final edit, color, and sound.
Every project ties back to a business goal. Views matter, but conversions, watch-through, and revenue lift matter more. I report on the numbers your team actually cares about.
Most ad projects wrap in 2 to 3 weeks from kickoff. Content packs and organic series run on a monthly cadence. Rush timelines are possible when the brief is tight.
I am based in Los Angeles and travel for shoots regularly. Remote editing and post-production works globally.
A clear brief, your goals, any existing brand assets, and a timeline. From there I build a creative treatment and production plan tailored to the project.
Book a discovery call. We will talk story, strategy, and what a season of cinematic content could do for your pipeline.
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